Eighteenth-Century Engravings and Visual History in Britain

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A01=Isabelle Baudino
archaeology
art historical methodology
art history
artists
Augustine Preaching
Author_Isabelle Baudino
Book Plates
book studies
books
British history
British visual culture studies
Category=AFH
Category=WFA
Charles Grignion
Eadric Streona
Edward III
Edward IV
eighteenth-century book art
Elizabeth Woodville
England
engraved historical plates research
engraved plates
eq_art-fashion-photography
eq_bestseller
eq_crafts-hobbies
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
George III
George Vertue
Georgian
historians
Historical Genre
historical illustration analysis
Historical Illustrations
History Painting
illustrated
illustrations
imagery
imagination
interdisciplinary visual studies
King Edward III
King Edward IV
King Richard III
London
National Library
paintings
pictorial
pictorial historiography
Rapin De Thoyras
Rapin's History
Richard III
Robert Bowyer
Royal Academy
Royal Academy's Annual Exhibitions
Samuel Wale
St Martin's Lane
St Martin's Lane Academy
visal studies
visualisation
visuality
visualization
Wale's Plate
Young Man

Product details

  • ISBN 9781032162416
  • Weight: 420g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Mar 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain.

This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain.

The book will be of interest to scholars working in art history, British history, book studies, and visual culture.

Isabelle Baudino is Senior Lecturer at the École normale supérieure de Lyon, France.

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