El Greco – The Cretan Years

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A01=Nikolaos M. Panagiotakes
A01=translated by John C. Davis
Al Vida
archival
archival art history
artist
Au Moyen Age
Author_Nikolaos M. Panagiotakes
Author_translated by John C. Davis
barozzi
Boletin
byzantine
Byzantium
Category=AB
Category=CB
Category=CJ
Category=DS
Category=N
Category=NHC
Considerazioni Sulla Pittura
Cretan Artists
Cretan Period
Della
Domenikos Theotocopoulos
Domenikos Theotokopoulos
Dominico Theotocopuli
early modern Greek painters
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Etymologicum Magnum
evidence
francesco
Francesco Barozzi
greek
Greek Fraternity
Holbein's Portrait
Holbein’s Portrait
iconography research
institute
Istituto Poligrafico Dello Stato
La Cadena
La Romanie
latin
Menegos Theotokopoulos
National Library
Orthodox-Catholic relations
Provveditore Generale
Renaissance apprenticeship
Ship Owner
sixteenth century painting
Southern Crete
Storia Della Cultura Veneta
tradition
Venetian Crete art
Young Man

Product details

  • ISBN 9780754668978
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Sep 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Exploring all the available sources, this study, which until now was only available in Greek, presents us with an account of El Greco's life up to the time he left Crete for Italy in 1567 at the age of twenty-six, already an accomplished professional painter. Nikolaos Panagiotakes provides a thorough assessment of earlier research on Crete of the 16th century then goes on to present new conclusions on the life of El Greco deriving from the author's firsthand reading of Venetian archive material, including questions relating to his birthplace, family, name, religious affiliation, and apprenticeship as a painter. The evidence indicates that El Greco was an established professional 'master painter' earlier than had previously been thought and also that he had a family before leaving Crete, thus perhaps explaining why he did not later marry Jerónima de las Cuevas, with whom he had a son in Toledo. This work marks a valuable contribution to El Greco scholarship, particularly in its thoroughly substantiated assessment of the evidence regarding the formative years in the life of El Greco, one of the greatest of all European artists.
Nikolaos M. Panagiotakes (1935-1997) held professorial posts at the Universities of Ioannina and Crete, and during the last eight years of his life was Director of the Istituto Ellenico di Studi Bizantini e Postbizantini in Venice, Italy.

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