Electronic Dance Music

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A01=Christopher T. Conner
A01=David R. Dickens
Author_Christopher T. Conner
Author_David R. Dickens
Category=AVLP
Category=AVLX
Category=AVRS
Category=JBCC1
Category=JKV
critical theory
cultural criminology
cultural sociology
culture industry
deviance
Electronic Dance Music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics

Product details

  • ISBN 9781793620415
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Jan 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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Electronic Dance Music: From Deviant Subculture to Culture Industry explores the subculture’s emergence as a deviant subculture. This text analyzes how industry professionals, fans, and public officials helped usher in a new age of EDM, arguing that while the defining features of the subculture made it attractive, they also laid the foundations for outsiders to commodify the movement as a culture industry. Conner and Dickens explore the concept of “commodified resistance” as the mechanism by which the movement's politically dissident features were removed and its place as a multi-billion-dollar industry made possible. Ultimately, this text advocates the continued utility of the culture industry thesis through an empirical analysis of the EDM subculture.

Check out an interview with the author on the New Books Network podcast here: https://newbooksnetwork.com/electronic-dance-music

Christopher T. Conner is non-tenure track teaching assistant professor of sociology at the University of Missouri, Columbia.
David R. Dickens was professor of sociology at the University of Nevada, Las Vegas for thirty-eight years.

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