Elementary Instructions for Students of Sculpture
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19th-century sculpture
A01=. Carradori
abstract sculpture
Accademia di Firenze
ancient sculpting methods
art restoration techniques
art studio manual
art techniques
Author_. Carradori
bronze casting instructions
bronze sculpture
carving
casting
Category=AFKB
Category=AGZ
ceramic sculpture
classical sculpture
classical sculpture process
classical sculpture restoration
clay
clay modeling techniques
contemporary sculpture
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European Abstract Art
European Impressionism
European Modernism
European Romanticism
European Surrealism Poetry
fine art sculpting
Francesco Carradori
historical sculpture tools
Italian sculpture history
marble carving guide
marble sculpting tools
plaster sculpture
sculpting
sculptor's handbook
sculptural practice
sculptural processes
sculpture materials
sculpture studio practice
sculpture techniques
sculpture tools
stone carving manual
stone sculpture
stucco work tutorial
traditional art instruction
traditional sculpting
wax sculpture methods
wood sculpture
Product details
- ISBN 9780892366880
- Weight: 560g
- Dimensions: 205 x 286mm
- Publication Date: 07 Nov 2002
- Publisher: Getty Trust Publications
- Publication City/Country: US
- Product Form: Paperback
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This is a translation of the 1802 introduction to studio practices for sculpture students by Francesco Carradori (1747-1824), a sculptor, restorer, and instructor of sculpture at the Accademia in Florence from 1786 to 1821. Carradori's instructions are vital to understanding the art and craft of sculpting as they were practiced before the twentieth century, since little substantial material exists that demonstrates, in an informed, didactic manner, the various tools and techniques used by ancient sculptors to execute work, Carradori's work is the most comprehensive and instructive and includes thirteen articles that explain how to restore marble sculpture, model clay, work with stucco and wax, cast and finish bronze, and carve and enlarge models into marble and stone, as well as seventeen plates that illustrate the arrangement, methods, and tools used in each of these processes,
Paolo Bernardini discusses the historical and theoretical aspects of sculptural practice in nineteenth-century Italy In addition, the complete Italian text is reprinted, Auvinen is a marble sculptor and professor of sculpture at the American Art Institute, Florence, Paolo Bernardini teaches modern and contemporary European history at the University of Technology, Syd ney,
