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Elliott Carter Speaks
Elliott Carter Speaks
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1967 Minnesota workshop
20th-century concerto
20th-century music audience
20th-century music criticism
20th-century society
20th-century symphony
A01=Elliott Carter
A24=Laura Emmery
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aleatory
Alexander Scriabin Prometheus
Alois Haba
American and European orchestras
Arnold Schoenberg Five Pieces for Orchestra
artist originality
Author_Elliott Carter
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B01=Laura Emmery
Beethoven Piano Concerto No. 4
Bela Bartok Piano Concerto No. 1
Capriccio for Piano and Orchestra
Carter Cello Sonata
Carter Double Concerto for Harpsichord and Piano
Carter Piano Concerto
Carter Piano Sonata
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Charles Ives The Fourth of July
Classical concerto
Claude Debussy Jeux
concerto grosso
contemporary art criticism
COP=United States
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Edgard Varese Octandre
Eight Etudes and a Fantasy for woodwind quartet
electronic music
Elliott Carter
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Eric Salzman
Henry Cowell
Holiday Overture
Igor Stravinsky Concerto for Piano and Wind Instruments
J. S. Bach Brandenburg Concerto No. 5
John Cage
Karlheinz Stockhausen Klavierstuck
Krzysztof Penderecki Threnody for the Victims of Hiroshima
Language_English
Luigi Nono Il canto sospeso
metric modulation
Mozart Piano Concerto No. 24
music tradition
mystic chord
neoclassicism
Northrop Frye
Olivier Messiaen Chronochromie
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piano concerto
Pierre Boulez Structures
Pocahontas
post-1945 music
Price_€50 to €100
private and state orchestras
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serialism
softlaunch
Sonata for Flute Oboe Cello and Harpsichord
techniques of orchestration
twelve-tone chords
unpublished lectures
Variations for Orchestr
Variations for Orchestra
Vernon Duke
Walter Piston
Product details
- ISBN 9780252044205
- Weight: 399g
- Dimensions: 152 x 229mm
- Publication Date: 22 Feb 2022
- Publisher: University of Illinois Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
These previously unpublished lectures by Elliott Carter date to the summer of 1967, when the acclaimed composer taught at the Contemporary Music Workshop held by the University of Minnesota. Leading an introductory course on orchestra repertoire, Carter gave nine hours of lectures covering principal topics like how to live with the musical present and whether the symphony orchestra was a relic of the past or a possible active force for new music. But Carter's observations and prompts by audience questions broadened the discussion into areas ranging from electronic music to analyses of works by other artists and himself. Laura Emmery presents the complete text from each session alongside introductions, commentary, and annotated examples that provide valuable context for readers.
Expansive and essential, Elliott Carter Speaks opens up the artist's teaching and introspection to new contemporary perspectives on his thought and art.
Please note that the order and arrangement of materials in this book differs from that of Elliott Carter’s original lectures.
Elliott Carter (1908-2012) was an American composer, educator, and two-time winner of the Pulitzer Prize for Music. His many works include String Quartet No. 1 and Piano Concerto. Laura Emmery is an assistant professor of music theory at Emory University. She is the author of Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches.
Elliott Carter Speaks
€54.99
