Elocutionists

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A Midsummer Night's Dream
A01=Marian Wilson Kimber
actresses
American music
Author_Marian Wilson Kimber
black dialect
Category=ATX
Category=AV
Category=DS
Cecile de Banke
Chautauqua
child dialect
choral speaking
comedy
concert life
dance history
Delsarte
dialect
dialect poetry
dramatic reading
elocution
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Fanny Kemble
Felix Mendelssohn
Frieda Peycke
Iowa history
Jane Manner
Jennie Mannheimer
Kitty Cheatham
literary societies
literature
mammies
Meredith Willson
Midwest
oral interpretation
Paul Laurence Dunbar
performance studies
Phyllis Fergus
poetic recitation
poetry
Ruth Suckow
sentimentality
The Music Man
theater history
verse-speaking choirs
Wellesley College
William Shakespeare
women comedians
women composers
women musicians
women's clubs
women's education
women's history
women's humor

Product details

  • ISBN 9780252082221
  • Weight: 567g
  • Dimensions: 156 x 235mm
  • Publication Date: 19 Jan 2017
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
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Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century.

Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.

Marian Wilson Kimber is an associate professor of music at the University of Iowa.

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