Embodied Nostalgia

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A01=Phoebe Rumsey
Author_Phoebe Rumsey
Black Bottom
Black dance history
Black Dancers
Broadway Musical Theatre
Category=AFKP
Category=ATD
Category=ATQ
Category=AVLM
Category=AVLP
choreography
Color Purple
cultural memory
dance
dance appropriation
Dance Marathons
Dancing Black Body
Drawn Back
Drowsy Chaperone
eq_art-fashion-photography
eq_bestseller
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Ghost Soldiers
Jazz Age
Jook
Jook Joints
La Touche
Lindy Hop
Maple Leaf Rag
nostalgia in theatre
performance
performance studies
race and choreography
Ragtime Dances
Ragtime Music
Slow Drag
Social Dance
social dance historiography
Steel Pier
Swing
Swing Dance
Tap Dance
Theatre
Wild Party
Wonderful Town

Product details

  • ISBN 9780367757199
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Jul 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Embodied Nostalgia is a collection of interlocking case studies that focus on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, and asks what social dance is doing performatively, dramaturgically, and critically in musical theatre.

The case studies in this volume are all Broadway musicals set during the Jazz Age (1910-1950), however, performed and produced after that time, creating a spectrum of nostalgic impulses that are interrogated for social and political resonance and meaning. All reflect the fractures or changes in the social dance when brought to the stage and expose the complexities of the embodied nostalgia – broadly interpreted as the physicalizing of community memories, longings, and historical meaning – the dances carry with them. Particular attention is focused on the Black ownership of the social dances and the subsequent appropriation, cultural theft, and forgotten legacies.

By approaching musical theatre through this lens of social dance––always already deeply connected to notions of class and race––and the politics of choreography therein, a unique and necessary method to describing, discussing, and critically evaluating the body in motion in musical theatre is put forth.

Phoebe Rumsey is a Senior Lecturer in Musical Theatre at the University of Portsmouth in the UK. She received her PhD from The Graduate Center, CUNY.

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