Embodying Beauty

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A01=Malin Pereira
aesthetic
aesthetics
African American Women Writers
American Women Writers
Anorexia Nervosa
Ant Queen
Aunt Jennifer's Tigers
Author_Malin Pereira
Bell Jar
Black Beauty
Black Female Beauty
brooks
Category=DSBH
Category=JBSF1
Descending Figure
Domestic Aesthetic
Domestic Poem
dominant
Dominant Aesthetics
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Beauty
gwendolyn
Gwendolyn Brooks
Harlem Renaissance
hegemonic
Hegemonic Aesthetics
Hurston's Work
martha
maud
Morrison's Critique
Soldier Ants
Specular System
tar
Tar Baby
Tea Cake
white
White Aesthetic
White America
White Female Beauty

Product details

  • ISBN 9781138968615
  • Weight: 390g
  • Dimensions: 138 x 216mm
  • Publication Date: 13 May 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This study argues that twentieth-century American women writers' textual representations of female beauty generally recognize a link between beauty standards and aesthetic ideology, exploring female beauty as a symptom of prevailing ideas about art and esthetics. Female beauty, in their texts, is not merely an issue of whether a female character is pretty or not; it is an expression of the controlling discourses negotiated by character, text, and author. In this study, therefore, the women writers' texts are read after interchapters outlining their key cultural and literary contexts.

Revising Paul de Man's method of exploring scenes of reading, this study focuses on scenes of beauty in which a character, narrator, or speaker negotiates ideas about beauty. The author pairs Euro-American and African American women writers across the century in three generations: H.D. and Zora Neale Hurston; Gwendolyn Brooks and Sylvia Plath; and Toni Morrison and Louis Gluck. As such, this study offers a landmark black/white dialogue on female beauty in twentieth-century American culture and literature. Scenes of beauty in the texts of these writers suggest multiple feminine aesthetics in twentieth-century American writing, unified in their negotiation of the aesthetic ideologies embodied in female beauty.

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