Emergence of the Classical Style in Greek Sculpture

Regular price €92.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Richard Neer
academic
accuracy
aesthetics
ancient
archaeology
art
artist
artistic
Author_Richard Neer
Category=AFKB
Category=AGA
classics
college
education
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
greece
higher ed
historical
history
homer
literary
literature
myth
naturalism
philosophical
philosophy
plato
politics
realism
research
scholarly
sculptor
statuary
statues
study
textbook
truth
university
visual

Product details

  • ISBN 9780226570631
  • Weight: 1191g
  • Dimensions: 23 x 28mm
  • Publication Date: 30 Nov 2010
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
In the fifth century BCE, an artistic revolution occurred in Greece, as sculptors developed new ways of representing bodies, movement, and space. The resulting 'classical' style would prove influential for centuries to come. Modern scholars have traditionally described the emergence of this style as a steady march of progress, culminating in masterpieces like the Parthenon sculptures. But this account assumes the impossible: that the early Greeks were working tirelessly toward a style of which they had no prior knowledge. In this ambitious work, Richard Neer draws on recent work in art history, archaeology, literary criticism, and art theory to rewrite the story of Greek sculpture. He provides new ways to understand classical sculpture in Greek terms, and carefully analyzes the relationship between political and stylistic histories. A much-heralded project, "The Emergence of the Classical Style in Greek Sculpture" represents an important step in furthering our understanding of the ancient world.
Richard Neer is the David B. and Clara E. Stern Professor of Humanities, Art History, and the College at the University of Chicago, where he is also a coeditor of Critical Inquiry. He is the author of several previous volumes on Greek art and archaeology.

More from this author