Emergent Quilombos

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A01=Bryce Henson
Afro-Brazilians
Afrocentric Black diasporic middle class
Age Group_Uncategorized
Age Group_Uncategorized
Anthropology
artifice
Author_Bryce Henson
automatic-update
Bahia
Black Studies
Brazil
Category1=Non-Fiction
Category=JBSL
Category=JBSL1
Category=JFSL
COP=United States
Cultural Studies
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gender imagery
Hip-Hop Studies
Language_English
Latin American Studies
maroonage
Media & Popular Culture
PA=Available
Price_€20 to €50
PS=Active
Quilombos
Salvador
softlaunch
Yoruba

Product details

  • ISBN 9781477328101
  • Weight: 399g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Jan 2024
  • Publisher: University of Texas Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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2024 Best Book Award, National Communication Association, Ethnography Division
2024 Roberto Reis Book Prize, First Book category, Brazilian Studies Association
2024 Outstanding Book Award, National Communication Association, Critical and Cultural Studies Division
2024 International and Intercultural Best Book Award, National Communication Association, International and Intercultural Division

How disenfranchised Black Brazilians use hip-hop to reinvigorate the Black radical tradition.

Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population’s African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it.

Based on years of ethnographic research, Emergent Quilombos illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities.

Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University.

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