Emilio Sanchez in New York and Latin America

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A01=Victor Deupi
America
architectural painting
architecture
Art Students League
Author_Victor Deupi
Bales
Biltmore Hotel
Biscayne Bay
Calla Lilies
Camaguey
Caribbean
Caribbean visual culture
Category=AGA
Category=AGB
Category=AMX
Category=JBSL
Category=NHK
city
cross-cultural exchange art
Cuba
Cuban American visual arts scholarship
Cuban Art
Cuban modernism
Diario De La Marina
Dos Passos
drawing
Edward Hopper
Emilio Sanchez
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Escuela De Bellas Artes
flaneur
Glens Falls
Grand Central Terminal
Havana
John Dos Passos
Las Monjas
Latin America
Latin American art history
Latin American studies
Long House
Mexico
midcentury artistic movements
modern art
modernism
National Academy
New York
painting
Palacio De Bellas Artes
Peter's Rest
Peter’s Rest
Plaza De La Catedral
Print Club
Reginald Marsh
rural
Santiago De Cuba
Santiago De Los Caballeros
Solo Exhibition
Thomas Hart Benton
twentieth century
United States
Vasari Project
West Indies
Young Man

Product details

  • ISBN 9780367206079
  • Weight: 680g
  • Dimensions: 174 x 246mm
  • Publication Date: 13 Jul 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book focuses on the life and artistic activities of Emilio Sanchez (1921–1999) in New York, and Latin America in the 1940s and 1950s. More specifically, the book will consider Sanchez in the wider context of mid-century Cuban artists, and cross-cultural exchange between New York, Cuba, and the Caribbean. The book reflects on why Sanchez chose to be a mobile observer of the American and Caribbean vernacular at a time when such an approach seemed at odds with the mainstream avant-garde. The book includes a foreword by Dr. Ann Koll, former Executive Director/Curator of the Emilio Sanchez Foundation, and an introduction by Dr. Nathan J. Timpano, University of Miami Department of Art and Art History. This book will be of interest to scholars in modern art, Caribbean studies, architectural history, and Latin American and Hispanic studies.

Victor Deupi is a Lecturer at the University of Miami School of Architecture.

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