Emma Hamilton and Late Eighteenth-Century European Art

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A01=Ersy Contogouris
Age Group_Uncategorized
Age Group_Uncategorized
Allegorical Portraiture
art and gender
art history
artist
Author_Ersy Contogouris
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Bosom Friend
Campi Phlegraei
Category1=Non-Fiction
Category=ACX
Category=AGA
Category=HBJD
Category=HBLL
Category=JBSF1
Category=JBSF11
Category=JFFK
Category=JFSJ1
Category=N
Category=NHD
celebrity
COP=United Kingdom
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Divine Lady
Dominique Vivant Denon
eighteenth century
Eighteenth-Century European Art
eighteenth-century women artists
Elisabeth Vigee-Le Brun
Elizabeth Foster
Emma's Body
Emma's Life
Emma’s Body
Emma’s Life
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Europe
European art history
European history
female agency in European art history
female subjects
feminist art history
gender representation in art
gender studies
George III
Germaine de Stael
Getty Research Institute
Gillray's Caricatures
Gillray’s Caricatures
Hand Coloured Etching
identity
James Gillray
Joseph Nollekens
Juliette Recamier
Lady Elizabeth Foster
Language_English
Late Eighteenth Century Naples
model
muse
muse and model analysis
Nelson's Death
Nelson’s Death
Neoclassicism
NPG D12856
object
PA=Temporarily unavailable
performance theory
performer
Pompeo Batoni
Price_€20 to €50
PS=Active
Reclaiming Female Agency
self-actualization
sitter
softlaunch
subject
subjectivity
Tableaux Vivants
visual culture studies
Volcano Lover
Ye Antique
Young Man

Product details

  • ISBN 9780367516062
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book offers a renewed look at Emma Hamilton, the eighteenth-century celebrity who was depicted by many major artists, including Angelica Kauffman, George Romney, and Élisabeth Vigée-Le Brun. Adopting an art historical and feminist lens, Ersy Contogouris analyzes works of art in which Hamilton appears, her performances, and writings by her contemporaries to establish her impact on this pivotal moment in European history and art. This pioneering volume shows that Hamilton did not attempt to present a coherent or polished identity, and argues instead that she was a kaleidoscope of different selves through which she both expressed herself and presented to others what they wanted to see. She was resilient, effectively asserted her agency, and was a powerful inspiration for generations of artists and women in their own search for expression and self-actualization.

Ersy Contogouris is Assistant Professor at Université de Montréal, Canada.