Empathic Lens

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A01=Brianne Cohen
animal empathy
Anthropocene
art history
Author_Brianne Cohen
Cambodia
Category=ABA
Category=AFKV
Category=AGA
Category=AJ
Category=NHF
climate change
contemporary art
ecoart
empathy
Environment
environmental humanities
environmental justice
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_nobargain
eq_non-fiction
genocide
Indigenous land relations
lens
photography
Singapore
video
Vietnam
visual culture
war

Product details

  • ISBN 9781517920951
  • Weight: 510g
  • Dimensions: 178 x 254mm
  • Publication Date: 24 Nov 2026
  • Publisher: University of Minnesota Press
  • Publication City/Country: US
  • Product Form: Hardback
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How lens-based art from Southeast Asia offers alternative visions for ecological sustainability

A new paradigm of ecologically minded artistic practices is taking shape in Southeast Asia – one that at once tracks ecological destruction and works specifically to cultivate deeper feelings of empathy toward the environment. Examining a range of photography and video work, The Empathic Lens explores how these lens-based projects respond to increasingly urgent concerns related to climate disaster and capitalist acceleration.

In this analysis of work produced across Cambodia, Vietnam, and Singapore, Brianne Cohen highlights artists for whom rampant urban development, resource extraction, and environmental toxicity are close at hand. As each artist takes their lens to these realities, Cohen shows, they draw on Indigenous knowledge and local traditions that have long recognized the kinship of humans and nonhumans. Engaging often-censored discourses of Indigenous land relations and environmental justice in a region with a long history of colonial and neocolonial development, Cohen traces genealogies of empathy and animism to demonstrate how these works develop sustainable visions for the future coexistence of planetary life.

The first critical account of marginalized artworks that depict the centrality of the more-than-human in Southeast Asian Indigenous worldviews, The Empathic Lens makes a powerful case for the relevance of Southeast Asian lens-based art in contemporary media practice and the art of the Anthropocene.

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Brianne Cohen is associate professor of contemporary art history at the University of Colorado Boulder. She is author of Don't Look Away: Art, Nonviolence, and Preventive Publics in Contemporary Europe and coeditor of Deep Horizons: A Multisensory Archive of Ecological Affects and Prospects and The Photofilmic: Entangled Images in Contemporary Art and Visual Culture.

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