Empire and Popular Culture

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19th Century
Aboriginal
Acrobats
Agriculture
Anglo-Zulu Wars
Anthropology
Archaeology
Bandstand
Belfast
Bombay (Mumbai)
British colonial exhibitions
Calcutta (Kolkata)
Cape Colony
Cape Town
Capitalism
Caste
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Christianity
Cinema
Civilization
Class
colonial entertainment research
Colonization
Colony
Crime
cultural imperialism analysis
Cups
Decolonization
Delhi
Development
Diamonds
Disease
Dublin
Earl's Court
Earl’s Court
East India Company
Edinburgh
Education
Empire
Empire and Media
Empire Exhibition
Empress Of India
Empress Theatre
Environment
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Ethnology
Exhibition Authorities
Face To Face
Fiction
Finance
Follow
Forests
Garrison
Gender
Gold
Gorilla
Held
Hinduism
Honourable East India Company
Ideology
imperial spectacle studies
Imre Kiralfy
Independence
Indian Ocean
indigenous perspectives Britain
Industrialization
Islam
Ivory
Justice
London
Machine gun
Madras (Chennai)
Manchester
Marriage
Mercantilism
Metropole
Migration
Military
Missionary work
Modernity
Mughal
Natal
Nationalism
New South Wales
Nineteenth Century Empires
North
Pacific Ocean
Painting
Photography
Plaster Of Paris
Popular Culture
public sphere history
Race
Racism
Railways
River Ganges
River Nile
River Thames
Savage South Africa
Schools
Science
Settlement
Shipping
Silk
Silver
Slavery
South African War
Statistics
Suez Canal
Tea
Telegraphy
Theatre
Tickets
Toured
Trade
Transvaal
Universities
visual culture of empire public events
Wanders
Weaponry
Young Man

Product details

  • ISBN 9781138495074
  • Weight: 990g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Jan 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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From 1830, if not before, the Empire began to permeate the domestic culture of Empire nations in many ways. From consumables, to the excitement of colonial wars, celebrations relating to events in the history of Empire, and the construction of Empire Day in the early Edwardian period, most citizens were encouraged to think of themselves not only as citizens of a nation but of an Empire. Much of the popular culture of the period presented Empire as a force for ‘civilisation’ but it was often far from the truth and rather, Empire was a repressive mechanism designed ultimately to benefit white settlers and the metropolitan economy.

This four volume collection on Empire and Popular Culture contains a wide array of primary sources, complimented by editorial narratives which help the reader to understand the significance of the documents contained therein. It is informed by the recent advocacy of a ‘four-nation’ approach to Empire containing documents which view Empire from the perspective of England, Scotland Ireland and Wales and will also contain material produced for Empire audiences, as well as indigenous perspectives. The sources reveal both the celebratory and the notorious sides of Empire.

This volume considers the ways in which ‘Empire’ permeated the British public sphere, exploring exhibitions, spectacle and entertainment.

John Griffiths