Empire and Popular Culture

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19th Century
Agriculture
Bombay (Mumbai)
British colonial history
Calcutta (Kolkata)
Cartography
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Chapel
Christianity
Civilization
Class
Colleges
Colonization
Colony
Confer
Crime
cultural identity formation
Cup
Dense
Development
Disease
Edinburgh
Education
Empire
Empire and Media
Empire Day
Environment
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Ethnology
Finance
Follow
Forests
Gender
gender and empire
Gold
Governance
Hold
Hospitals
Ideology
imperial propaganda
Independence
Industrialization
Islam
Isles
Jurisprudence
Justice
London
London Missionary Society
Madras (Chennai)
Mankind
Marriage
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Migration
Military
missionary activity analysis
Missionary work
national identity in colonial context
Nationalism
New South Wales
Nineteenth Century Empires
North
Photography
Popular Culture
postcolonial studies
Public health
Race
Racism
Railways
Revolution
River Ganges
Schools
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Secretary Of State
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Shipping
Sir Henry Havelock
Slavery
South African War
Southampton
Sunday School
Tattoo
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Universities
Victoria League
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Wesleyan Church
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Product details

  • ISBN 9781138495081
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Jun 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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From 1830, if not before, the Empire began to permeate the domestic culture of Empire nations in many ways. From consumables, to the excitement of colonial wars, celebrations relating to events in the history of Empire, and the construction of Empire Day in the early Edwardian period, most citizens were encouraged to think of themselves not only as citizens of a nation but of an Empire. Much of the popular culture of the period presented Empire as a force for ‘civilisation’ but it was often far from the truth and rather, Empire was a repressive mechanism designed ultimately to benefit white settlers and the metropolitan economy.

This four volume collection on Empire and Popular Culture contains a wide array of primary sources, complimented by editorial narratives which help the reader to understand the significance of the documents contained therein. It is informed by the recent advocacy of a ‘four-nation’ approach to Empire containing documents which view Empire from the perspective of England, Scotland Ireland and Wales and will also contain material produced for Empire audiences, as well as indigenous perspectives. The sources reveal both the celebratory and the notorious sides of Empire.

In this, the third volume of Empire and Popular Culture, documents are presented that shed light on three principal themes: The shaping of personal. collective and national identities of British citizens by the Empire; the commemoration of individuals and collective groups who were noted for their roles in Empire building; and finally, the way in which the Empire entered popular culture by means of trade with the Empire and the goods that were imported.

John Griffiths is Senior Lecturer in British and British World History, Massey University, New Zealand