Empire and Popular Culture

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19th Century
Agriculture
Bombay (Mumbai)
Bop
British colonialism
British Empire League
Calcutta (Kolkata)
Cape Colony
Cartography
Caste
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Category=NHTB
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Christianity
Civilization
Class
Coffee
Colleges
Colonization
Colony
Cotton
Crime
cultural hegemony
Delhi
Development
Disease
Edinburgh
EDM
Education
Empire
Empire and Media
Empire Day
Environment
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eq_history
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eq_isMigrated=2
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eq_society-politics
Ethnology
Eton College
Face To Face
Famine
Fiction
Finance
Flora Klickmann
Follow
Free State
Gender
George III
Gold
Governance
Guiana
Harrow
Held
Hinduism
Hospitals
Ideology
imperial ideology
Independence
indigenous perspectives
Industrialization
Jurisprudence
Justice
London
London Missionary Society
Madras (Chennai)
Marriage
Military
Missionary work
Modernity
Nationalism
New South Wales
Nineteenth Century Empires
nineteenth-century Britain
North
Outdoor Play Space
Photography
Popular Culture
popular culture and imperial identity
postcolonial studies
Race
Racism
Railways
Revolution
Royal Colonial Institute
Schools
Science
Secretary Of State
Settlement
Shipping
Sikhism
Slavery
Social Arrows
South African War
Trade
Universities
Victoria League
Wo
Young Men

Product details

  • ISBN 9781138495043
  • Weight: 960g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Nov 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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From 1830, if not before, the Empire began to permeate the domestic culture of Empire nations in many ways. From consumables, to the excitement of colonial wars, celebrations relating to events in the history of Empire, and the construction of Empire Day in the early Edwardian period, most citizens were encouraged to think of themselves not only as citizens of a nation but of an Empire. Much of the popular culture of the period presented Empire as a force for ‘civilisation’ but it was often far from the truth and rather, Empire was a repressive mechanism designed ultimately to benefit white settlers and the metropolitan economy.

This four volume collection on Empire and Popular Culture contains a wide array of primary sources, complemented by editorial narratives which help the reader to understand the significance of the documents contained therein. It is informed by the recent advocacy of a ‘three-nation’ approach to Empire containing documents which view Empire from the perspective of England, Scotland and Wales and will also contain material produced for Empire audiences, as well as indigenous perspectives. The sources reveal both the celebratory and the notorious sides of Empire.

These volumes focus on institutions and popular culture such as clubs, societies, missions, churches, educational institutions and the ways in which people were depicted in popular culture – from heroic explorers to the fascination with and racism towards, indigenous peoples across the long nineteenth century.

John Griffiths is Senior Lecturer in British and British World History, Massey University, New Zealand