Empire, Early Photography and Spectacle

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A01=Elisa deCourcy
A01=Martyn Jolly
Adelaide Gallery
Age Group_Uncategorized
Age Group_Uncategorized
Antoine Claudet
Author_Elisa deCourcy
Author_Martyn Jolly
automatic-update
Bengal Hurkaru
Category1=Non-Fiction
Category=AB
Category=AJ
Category=HBJD
Category=HBTQ
Category=NHD
Category=NHTQ
Chatham Islands
Colonial Australia
colonial photography history
COP=United Kingdom
Daguerreotype Camera
daguerreotype global circulation research
Daguerreotype Portraits
Daguerreotype Process
Daguerreotype Studio
Delivery_Pre-order
Early photography
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Flying Dutchman
George Streets
Indian Gazette
Language_English
London Missionary Society
Magic Lantern
magic lantern performance
National Library
New Orleans Public Library
Newland's magic lantern
nineteenth-century visual culture
optical entertainment studies
PA=Not yet available
Photographic Society
Pitt Street
Price_€50 to €100
PS=Active
Queen Pomare
Royal Mail Steam Packet Company
Royal Polytechnic
Royal Polytechnic Institution
Royal Victoria Theatre
Salted Paper Print
softlaunch
transnational art networks
Van Diemen's Land
Van Diemen’s Land
Victoria Theatre
Victorian era visual media
Victorian history
Visual spectacle

Product details

  • ISBN 9781350130364
  • Weight: 625g
  • Dimensions: 174 x 246mm
  • Publication Date: 24 Nov 2020
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India.

Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision.

This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.

Elisa deCourcy is a specialist in early photography and a Research Fellow in the Research School of Humanities and the Arts at the Australian National University.

Martyn Jolly is Honorary Associate Professor in the School of Art and Design at the Australian National University and was Lead Chief Investigator on the Australian Research Council Project 'Heritage in the Limelight: The Magic Lantern in Australia and the World'.

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