Empire of Ecstasy

Regular price €70.99
A01=Karl Toepfer
art
art history
art movements
Author_Karl Toepfer
berlin
body culture
Category=ATF
Category=ATQ
Category=JBCC
Category=JBSF
dance
dance history
dance photography
drama
ecstasy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
freedom
german art
german culture
german history
gymnastics
identity
interwar period
mary wigman
mass movement choirs
modern body
modernity
nonfiction
nude dancing
nudism
oskar schlemmer
performance
performing arts
power
rudolf laban
solo dancing
theater performance
transgressive energy
weimar artists

Product details

  • ISBN 9780520206632
  • Weight: 816g
  • Dimensions: 156 x 235mm
  • Publication Date: 31 Dec 1997
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Hardback
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"Empire of Ecstasy" offers a novel interpretation of the explosion of German body culture between the two wars - nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of 'modern identity.' The modern body, radiating freedom and power, appeared to Weimar artists and intelligentsia to be the source of a transgressive energy, as well as the sign and manifestation of powerful, mysterious 'inner' conditions. Toepfer shows how this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. With the help of much unpublished or long-forgotten archival material (including many little-known photographs), he investigates the process of constructing an 'empire' of appropriative impulses toward ecstasy. Toepfer presents the work of such well-known figures as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, along with less-known but equally fascinating body culture practitioners. His book is certain to become required reading for historians of dance, body culture, and modernism.
Karl Toepfer is Professor of Theater Arts at San Jose State University.