Encounters in Video Art in Latin America

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A01=Elena Shtromberg
A01=Glenn Phillips
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America
Anna Bella Geiger
archives
Argentina
art history
artistic experimentation
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Brazil
Caribbean
Category1=Non-Fiction
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Central
Chile
Cinematography
Columbia
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crisis
Daiela Eltit
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Documentary filmmaking
empowering
Encuentros
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Experimental film
female
Film acting
Film aesthetics
Film analysis
Film appreciation
Film archives
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Film criticism
gender
Gloria Camiruaga
indigenous perspectives
inequality
Jorge Glusberg
Language_English
Leticia Parente
Lotty Rosenfeld
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Marta Minujin
Martin Sastre
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Pacific Standard Time
Peru
Pola Weiss
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PST
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Sandra Llanos-Mejia
social change
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Sonia Andrade
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Venezuela

Product details

  • ISBN 9781606067918
  • Publication Date: 18 Apr 2023
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was--and still is--closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists' practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections--Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives--the book's essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
Elena Shtromberg is associate professor of art history at the University of Utah. Glenn Phillips is senior curator of modern and contemporary collections and head of exhibitions at the Getty Research Institute.

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