A01=Fred Moten
A07=Jennie Jones
A07=The Otolith Group
A14=Anthony Elms
A14=Charles Gaines
A14=Cynthia Oliver
A14=Raul de Nieves
A14=Taisha Paggett
A44=George Lewis
A44=Wadada Leo Smith
Age Group_Uncategorized
Age Group_Uncategorized
Author_Fred Moten
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Category1=Non-Fiction
Category=AFKP
Category=GLZ
Category=GM
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Z99=Jennie Jones
Z99=The Otolith Group
Product details
- ISBN 9781941753163
- Dimensions: 183 x 234mm
- Publication Date: 04 Jul 2019
- Publisher: Inventory Press LLC
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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Endless Shout asks how, why and where performance and improvisation can take place inside a museum. The book documents a six-month series of experimental performances organized by the Institute of Contemporary Art, University of Pennsylvania, where five participants—Raúl de Nieves, Danielle Goldman, George Lewis, The Otolith Group and taisha paggett—collectively led a series of improvisation experiments. These include Miya Masaoka’s A Line Becomes a Circle, which pays tribute to Shiki Masaoka, a subversive Japanese haiku writer; jumatatu m. poe and Jerome “Donte” Beacham’s Let ‘im Move You, addressing the history of J-Sette, a dance form popularized at historically black colleges; and A Recital for Terry Admins by composer George Lewis. The book includes an essay by curator Anthony Elms, conversations with Jennie C. Jones and Wadada Leo Smith on themes of rhythm, rehearsal and improvisation, plus new works created specifically for the book, such as a script by The Otolith Group on blackness and digital color correction.
