Ends of History

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A01=Christina Crosby
Act III
Author_Christina Crosby
Begging Letter Writers
British social history
Category=DS
Category=DSBF
Category=JBSF1
Category=NHA
Category=NHAH
Complete Totalization
Daniel Deronda
deronda
Deronda's Mother
Deronda’s Mother
Eikon Basilike
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminism
feminist literary criticism
feminists
gender and historiography in Victorian novels
Generalized Typological Scheme
Gwendolen's Story
Gwendolen’s Story
historical subjectivity
Imaginary Unity
Jewish Element
Lady Castlewood
little dorritt
Lord Castlewood
Lucy Snowe
Lucy's Narrative
Lucy’s Narrative
Macaulay's History
Macaulay’s History
Madame Walravens
Man's Truth
Man’s Truth
Mayhew's Work
Mayhew’s Work
Melodramatic Imagination
Mr Merdle
Mrs Clennam
nineteenth-century gender studies
philosophy of history
ruskin
Ruskin's Aesthetics
Ruskin’s Aesthetics
Thackeray's Text
Thackeray’s Text
the frozen deep
Uncomfortable Book
victorian history
victorian literature
Victorian masculinity
vilette
William III
women history
women in literature

Product details

  • ISBN 9781138008038
  • Weight: 294g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Jul 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Why were the Victorians so passionate about "History"?

How did this passion relate to another Victorian obsession – the "woman question"? In a brilliant and provocative study, Christina Crosby investigates the links between the Victorians’ fascination with "history" and with the nature of "women."

Discussing both key novels and non-literary texts – Daniel Deronda and Hegel’s Philosophy of History; Henry Esmond and Macaulay’s History of England; Little Dorrit, Wilkie Collins’ The Frozen Deep, and Mayhew’s survey of "labour and the poor"; Villette, Patrick Fairburn’s The Typology of Scripture and Ruskin’s Modern Painters – she argues that the construction of middle-class Victorian "man" as the universal subject of history entailed the identification of "women" as those who are before, beyond, above, or below history. Crosby’s analysis raises a crucial question for today’s feminists – how can one read historically without replicating the problem of nineteenth century "history"?

The book was first published in 1991.

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