England and its Aesthetes

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A01=David Carrier
adrian
aesthetic theory
Author_David Carrier
autobiography in art
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Black Woods
Blackbirds
Blue Sky
Brillo Box
Canary Seed
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Children's Room
clergyman
Crimson
English art theorists influence
English Elm
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evangelical
Fair Light
Finer Light
gardens
Hawthorn
Herne Hill
hyde
identity and desire in aesthetics
kensington
La Cloche
London Parks
Midday
museum studies
park
Personal Development
road
Rounded Trees
Smooth
Starlings
stokes
Swallow's Nest
Victorian art criticism
visual culture analysis
Wandering
Waterfall
Young Man

Product details

  • ISBN 9789057012914
  • Weight: 270g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Nov 1997
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First Published in 1999. John Ruskin (1819-1900), Walter Pater (1839-1894), and Adrian Stokes (1902-1972) represent three generations of English aesthetes whose writings have transformed art history and the formations of museums as we know them. They are three great writers in a distinctively English tradition. Concerned with the nature of aesthetic experience, and with the interpretation of visual art, they offer approaches that are dramatically different, in challenging ways, from those of professional art historians. They published autobiographies, explaining the relationship of their conceptions of aesthetic experience to their critical thinking about social questions. With England and Its Aesthetes , David Carrier has assembled the autobiographical sketches of these influential aesthetes. His reading reveals them to be less concerned with art appreciation or an aesthetic approach to everyday life than with issues of identity, politics, and desire.
john ruskin, walter pater, adrian stokes