A01=Christiana Payne
Academic Art Theory
American Landscape Painters
Andrew Wilton
Anne-Marie Link
Antonio Ponz
art
Author_Christiana Payne
Barthelemy Jobert
british
British Art
British art influence abroad
Caroline Valia-Kollery
Category=AGA
Christiana Payne
colonial visual culture
Contemporary History Painting
cross-cultural artistic exchange
David Bindman
Eighteenth Century German
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Galina Andreeva
Georg Weerth
George III
Los Caprichos
Michael Rosenthal
Modern Art World
NA Christophe
National Academy
national identity in art
nineteenth-century painting
Play Back
reception studies
Robert De La Sizeranne
Robert Edge Pine
Rosalind P. Blakesley
Royal Academy
Russian Periodical Press
Sarah Symmons
Semanario Pintoresco
Serment Du Jeu De Paume
St Petersburg Academy
Stipple Engraving
Tim Barringer
transnational art history
Wilkie's Work
William Sidney Mount
William Vaughan
William Woollett
Young Man
Young Russian Artists
Product details
- ISBN 9780815388814
- Weight: 700g
- Dimensions: 156 x 234mm
- Publication Date: 13 Dec 2017
- Publisher: Taylor & Francis Inc
- Publication City/Country: US
- Product Form: Hardback
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In the century following the foundation of the Royal Academy in 1768, British art had an international reputation: prints spread knowledge of the work of British artists around the globe, and it was widely seen as the product of a modern, commercial society, and much admired by artists as diverse as Goya in Spain, Delacroix in France, and Bierstadt in America. In recent years, scholars working on this period have become increasingly aware of the international context of their subject, but there has been no systematic analysis of the reception of British art abroad. This collection of essays looks at the uses made of the paintings of Reynolds, Hogarth, Lawrence and their contemporaries on the continent of Europe, and in the colonies and ex-colonies of Australia and America. The authors go beyond the simple issue of 'influence' to consider how ideas and artistic conventions originating in the British Isles were adapted, appropriated or resisted in these new environments. In the process, some surprising views of British art emerge, demonstrating how a multi-faceted view from the outside can correct and enrich the narrative produced within a national school, and revealing some of the important connections that are obscured when art is studied, as it so often is, within narrow national boundaries.
Christiana Payne, Oxford Brookes University, UK and William Vaughan, Birkbeck College, University of London, UK Christiana Payne, David Bindman, Anne-Marie Link, Galina Andreeva, Michael Rosenthal, Sarah Symmons, Barthelemy Jobert, William Vaughan, Andrew Wilton, Rosalind P. Blakesley, Tim Barringer.
