English Drama Before Shakespeare

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A01=Peter Happe
Author_Peter Happe
castle
Category=DSG
Classical Comedy
Cursor Mundi
cycles
Devious
dramatic form analysis
early modern theatre
Edward III
English Renaissance literature
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eq_biography-true-stories
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eq_nobargain
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Follow
Friar Bacon
Gracechurch
Held
historical stagecraft
hood
johan
John De La Pole
king
King Johan
Liturgical Drama
Love's Metamorphosis
MEDIEVAL DRAMA
medieval morality plays
Merry Report
mystery
Mystery Cycles
nicholas
Nicholas Udall
Pageant Wagons
performance history
perseverance
pre-Shakespearean English drama studies
Richard III
robin
Robin Hood
Robin Hood Plays
Thrie Estaitis
Town Cycle
udall
Vice Versa
Wakefield Master
Young Man

Product details

  • ISBN 9780582493742
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 25 Feb 1999
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe.

Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.

 Peter Happe

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