English Novel, Vol I, The

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A01=Richard W.F. Kroll
Amatory Novella
Author_Richard W.F. Kroll
Beggar's Opera
Bob Singleton
Category=DSB
Category=DSK
century
Conduct Books
defoe
Defoe Narrators
early modern novel criticism
eighteenth
Eighteenth Century English
Eighteenth Century English Fiction
Eighteenth Century English Narrative
eighteenth-century literature
enlightenment cultural studies
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extreme Skepticism
fiction
flanders
foes
Follow
Formula Fiction
gender identity studies
Island Exile
Lady Bradshaigh
literary criticism methodology
Masked Assembly
Masquerade Scene
method
moll
Moll Flanders
Montagu
Naive Empiricism
narrative theory
narrators
Read Love Letters
richardson's
Richardson's Method
sentimentalism in prose
Socioeconomic Developments
Timeless
Vice Versa
Violated
Young Man

Product details

  • ISBN 9780582088559
  • Weight: 580g
  • Dimensions: 138 x 216mm
  • Publication Date: 13 Oct 1998
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The English Novel, Volume I:1700 to Fielding collects a series of previously-published essays on the early eighteenth-century novel in a single volume, reflecting the proliferation of theoretical approaches since the 1970s. The novel has been the object of some of the most exciting and important critical speculations, and the eighteenth-century novel has been at the centre of new approaches both to the novel and to the period between 1700 and 1750.

Richard Kroll's introduction seeks to frame the contributions by reference to the most significant critical discussions. These include: the question of whether and how we can talk about the 'rise' of the novel; the vexed question of what might constitute a novel; the relationship between the novel and possibly competing genres such as history or the romance; the relationship between early male writers like Defoe and popular novels by women in the early eighteenth century; the general ideological role played by novels relative to eighteenth-century culture (are they means of ideological conscription or liberation?); poststructuralist analyses of identity and gender; and the emergence of sentimental and domestic codes after Richardson.

Since the modern European novel is often thought to have been formed in this period, these debates have clear implications for students of the novel in general as well as for those interested in the early enlightenment. Headnotes place each essay within the map of these wider concerns, and the volume offers a useful further reading list. Taken as a whole, this collection encapsulates the state of criticism at the present moment.

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