English Theatre in Transition 1881-1914

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A01=James Woodfield
achurch
Anstey's Vice Versa
archer
Author_James Woodfield
Category=AFKP
Category=ATD
Category=DDA
cecil
Cecil Raleigh
Century Theatre
Charles Charrington
Craig's Work
Craig’s Work
dramatic theory analysis
early twentieth century British theatre
elizabeth
Elizabeth Robins
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Firemen
Granville Barker
Independent Theatre
janet
Janet Achurch
London Theatre
Lord Chamberlain's Office
Lord Chamberlain’s Office
Lord Ribblesdale
Midsummer Night's Dream
Midsummer Night’s Dream
modern drama evolution
National Repertory Theatre
performance realism
poel
raleigh
robins
Shakespeare Memorial
Shakespeare production studies
Stage Society
staging innovation
theatre censorship history
vedrenne
Vedrenne Barker Management
Vedrenne Barker Seasons
Weekly Comedy
Wild Duck
william
William Archer
William Poel
William Rothenstein
Young Man

Product details

  • ISBN 9781138934658
  • Weight: 317g
  • Dimensions: 156 x 234mm
  • Publication Date: 06 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky.

This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promoters of the idea of a National Theatre. Other personalities discussed include Harley Granville Barker, particularly his association with Shaw at the Court Theatre and his part in campaigns against censorship and for changes in the staging of Shakespeare, and Edward Gordon Craig, whose rebellion against the Victorian theatre took and anti-realist direction.

This is a stimulating account of the background to the modern English theatre which can only increase appreciation of its standard and variety.

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