Englishness and Environment in Genre Fiction, 1890-1940

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A01=Gerry Smyth
Aldous Huxley
Arthur Conan Doyle
Author_Gerry Smyth
canon formation
Category=DSBF
Category=DSBH
Category=DSK
Category=FBA
Category=FF
Category=FL
Category=FM
Category=FXE
children's literature
Conrad
crime fiction
cultural historian
detective fiction
England
English national identity
Englishness
environment
environmental crisis
eq_bestseller
eq_biography-true-stories
eq_crime
eq_fantasy
eq_fiction
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eq_isMigrated=2
eq_modern-contemporary
eq_nobargain
eq_non-fiction
eq_science-fiction
fantasy
forthcoming
genre fiction studies
H. G. Wells
industrial revolution
literary history
Modernism
mystery fiction
nationalism
nature
Orwell
science fiction
Tolkien
Virginia Woolf

Product details

  • ISBN 9781350412477
  • Weight: 300g
  • Dimensions: 156 x 230mm
  • Publication Date: 25 Jun 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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In this moment of growing anxiety about the environment and the fate of humanity, literature continues its vital role of articulating dynamic new ways of thinking about the relations between humanity, environment and technology. In this book, cultural historian Gerry Smyth focuses on English genre fiction of the late 19th and early 20th centuries, exploring the ways in which popular novelists of the period engaged with debates relating to environment (England), culture (English language and literature) and identity (Englishness). In sixteen case studies, the author covers examples of fantasy, science fiction, murder mystery and children’s stories in order to trace the prehistory of modern environmentalism, especially as experienced in a key 50-year period running up to the start of the Second World War.

Environment and Genre Fiction, 1890-1940 offers new approaches to a variety of well-loved English novels, seeking and describing an unlikely but important alternative genealogy for both modern English literature and modern ecocriticism. Case studies include The Island of Dr Moreau, Heart of Darkness, The Wind in the Willows, Cold Comfort Farm, Brave New World and The Hobbit. In these and other popular novels Smyth examines themes such as evolution, industrialisation, the growth of technology, Britain’s fading imperial status, assaults on traditional discourses of class, gender and sexuality, animal rights, artificial intelligence and war. The central focus is on the ways in which popular genre authors responded to a variety of changes that were overtaking the idea of England itself during this period. Accessible and innovative, this book reconfigures modern English literary history from an environmental perspective, insisting that questions of environment were always already embedded in the field of modern cultural debate.

Gerry Smyth is Professor of Irish Cultural History at Liverpool John Moores University, UK. His research interests cover Irish literary history, James Joyce, modernism, music and literature, posthumanism and ecocriticism and he has published extensively in these areas including such books as Space and the Irish Cultural Imagination (2001), Listening to the Novel: Music in Contemporary British Fiction (2008), and Joyces Noyces: Music and Sound in the Life and Literature of James Joyce (2021).

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