Ennio Morricone's The Good, the Bad and the Ugly

Regular price €47.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Charles Leinberger
Author_Charles Leinberger
Category=ATF
Category=AVL
Category=AVLM
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction

Product details

  • ISBN 9780810851320
  • Weight: 225g
  • Dimensions: 142 x 219mm
  • Publication Date: 01 Sep 2004
  • Publisher: Scarecrow Press
  • Publication City/Country: US
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Although five-time Academy-Award nominee Ennio Morricone has scored numerous films in various genres, his westerns will undoubtedly remain his most memorable cinematographic accomplishments. This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians.

Leinberger begins his study with a brief discussion of Morricone's musical background through his experience in the Italian music business, his earliest Italian film scores, and his accomplishments in Hollywood. The second chapter is a discussion of the many compositional techniques that distinguish Morricone's music from that of other film composers. Subsequent chapters examine the historical and cultural context of the film and attempt to place the style of Morricone's score for The Good, the Bad and the Ugly in relation to his scores for other well-known Westerns. The book's final chapter is an analysis of compositional techniques presented in chronological order from the film's opening credits to its climactic ending.

Although this guide focuses on Morricone and his music from a theoretical perspective, other non-musical issues that are relevant to the audience's ultimate experience of the film are also discussed.

Charles Leinberger is a professor of music at the University of Texas at El Paso. He has been a private trumpet instructor throughout the American Southwest and holds a Ph.D. in Music Theory from the University of Arizona in Tucson.

More from this author