Entranced Earth Volume 45

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A01=Jens Andermann
aesthetics
Anthropocene
architecture
Author_Jens Andermann
bio art
Capitalocene
Category=AB
Category=ATF
Category=DSB
eco art
ecocriticism
environmental humanities
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
extractivism
film
humananimal
Indigeneity
Landscape
Latin America
literature
plants
sound art
visual arts

Product details

  • ISBN 9780810145924
  • Weight: 363g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 May 2023
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Paperback
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A sweeping analysis of the lasting effects of neocolonial extractivism in Latin American aesthetic modernity from 1920 to the present

Looking to the extractive frontier as a focal point of Latin American art, literature, music, and film, Jens Andermann asks what emerges at the other end of landscape. Art in the Global South has long represented and interrogated “insurgent nature”—organic and inorganic matter, human and nonhuman life, thrown into turmoil.

In Entranced Earth: Art, Extractivism, and the End of Landscape, Andermann traces the impact of despaisamiento—world-destroying un-landscaping—throughout the Latin American modernist archive. At the same time, he explores innovative, resilient modes of allyship forged between diverse actors through their shared experiences of destruction. From the literary regionalism of the 1930s to contemporary bio art, from modernist garden architecture to representations of migration and displacement in sound art and film, Entranced Earth tracks the crisis of landscape and environmental exhaustion beyond despair toward speculative, experimental forms of survival.

Jens Andermann is a professor of Spanish and Portuguese at New York University. His books include New Argentine Cinema and The Optic of the State: Visuality and Power in Argentina and Brazil.

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