Eric Bogle, Music and the Great War

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36th Ulster Division
A01=Michael J. K. Walsh
Anzac Day
Anzac Day Parade
Anzac historiography
Anzac Legend
Astrophysical Black Hole
Australian War Memorial
Author_Michael J. K. Walsh
Billy Bragg
Bob Dylan
Category1=Non-Fiction
Category=AVA
Category=AVLP
Category=AVN
Category=JBCC
Category=NHWR5
Category=NL-AV
Category=NL-HB
Category=NL-JF
Conflict
Country Music
cultural memory studies
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Drawn Back
Easter Lily
Enniskillen Bomb
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Family Friend
First World War
Gallipoli
Great War
Home Nationals
Imperial War Graves Commission
INLA
IRA Violence
Irish National Liberation Army
Joan Baez
John Bourne
Language_English
Light Horsemen
Man's Tears
Man’s Tears
Nelson Mandela
Nuclear Disarmament
Point McLeay
popular music and historical narrative
Price_€100 to €200
protest song analysis
Protest Songs
remembrance education
Routledge Studies in First World War History
Slim Dusty
Thiepval Memorial
Tin Hat
trauma representation
Vietnam War
war commemoration
Western Front
World War I
Young Men

Product details

  • ISBN 9781138719118
  • Weight: 408g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Dec 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Eric Bogle has written many iconic songs that deal with the futility and waste of war. Two of these in particular, ‘And the Band Played Waltzing Matilda’ and ‘No Man’s Land (a.k.a. The Green Fields of France)’, have been recorded numerous times in a dozen or more languages indicating the universality and power of their simple message. Bogle’s other compositions about the First World War give a voice to the voiceless, prominence to the forgotten and personality to the anonymous as they interrogate the human experience, celebrate its spirit and empathise with its suffering.

This book examines Eric Bogle’s songs about the Great War within the geographies and socio-cultural contexts in which they were written and consumed. From Anzac Day in Australia and Turkey to the ‘The Troubles’ in Northern Ireland and from small Aboriginal communities in the Coorong to the influence of prime ministers and rock stars on a world stage, we are urged to contemplate the nature and importance of popular culture in shaping contemporary notions of history and national identity. It is entirely appropriate that we do so through the words of an artist who Melody Maker described as ‘the most important songwriter of our time’.

Michael J. K. Walsh has published widely on cultural responses to, and interpretations of, the Great War. He is the author of: This Cult of Violence (2002) and Hanging a Rebel (2008); editor of A Dilemma of English Modernism (2007) and London, Modernism and 1914 (2010); and co-editor of Australia and the Great War: Identity, Memory and Mythology (2016) and The Great War and the British Empire: Culture and Society (2016). He is Associate Professor of Art History at Nanyang Technological University, Singapore.

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