Erich Heckel in Flanders
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€72.99
A01=Lieven Van Den Abeele
Age Group_Uncategorized
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Author_Lieven Van Den Abeele
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Belgium
Berlin
Biblical
Category1=Non-Fiction
Category=AFC
Category=AG
Category=AGA
Category=AGB
Category=NHD
cloud formations
COP=United States
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
expressionist
Flanders
German
Ghent
Good Samaritan
Language_English
Madonna of Ostend
memory
nationalgalerie
Ostend
PA=Not yet available
perception
Price_€50 to €100
PS=Forthcoming
Roeselare
romantic
softlaunch
woodcuts
World War I
Product details
- ISBN 9780300282795
- Dimensions: 197 x 267mm
- Publication Date: 07 Jan 2025
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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A monograph on one of the leading figures of German Expressionism, Erich Heckel and on artistic exchange in wartime Europe
This book illuminates a less well-known yet coherent and deeply familiar period in the artistic career of the German expressionist Erich Heckel (1883–1970). The book contextualises the beginnings and the evolution of his work in the years from 1905 to 1918.
In 1914 Heckel volunteered to go to the front, ending up on a hospital train that took him to Flanders. He remained there until the end of the First World War, working as an orderly in Roeselare, Ostend and Ghent. In Flanders, Heckel sketched daily events in the emergency hospital, of the places he visited and the people he encountered. He made woodcuts depicting expressive heads of the orderlies and their patients and of biblical subjects such as The Madonna of Ostend and The Good Samaritan.
As a painter, Heckel was impressed by the landscape and the sea, and the unusual cloud formations. His landscapes and seascapes are an important highlight from this period of his work. The works included are romantic and expressive, natural and symbolic, spiritual, tangible and nostalgic.
This book illuminates a less well-known yet coherent and deeply familiar period in the artistic career of the German expressionist Erich Heckel (1883–1970). The book contextualises the beginnings and the evolution of his work in the years from 1905 to 1918.
In 1914 Heckel volunteered to go to the front, ending up on a hospital train that took him to Flanders. He remained there until the end of the First World War, working as an orderly in Roeselare, Ostend and Ghent. In Flanders, Heckel sketched daily events in the emergency hospital, of the places he visited and the people he encountered. He made woodcuts depicting expressive heads of the orderlies and their patients and of biblical subjects such as The Madonna of Ostend and The Good Samaritan.
As a painter, Heckel was impressed by the landscape and the sea, and the unusual cloud formations. His landscapes and seascapes are an important highlight from this period of his work. The works included are romantic and expressive, natural and symbolic, spiritual, tangible and nostalgic.
Lieven Van Den Abeele (b. 1957, Aalst, Belgium) is an art historian, writer and curator. He was the editor of Artefactum Magazine (1986-1989); art critic and Paris-based correspondent for the newspaper De Standaard (1982-2012); lecturer at the Ecole des Beaux-Arts in both Nîmes and Bordeaux (1990-2011) and at KASK Ghent (2008-2022); education officer at the Museum of Fine Arts Ghent (2012-2022). He has published regular contributions in various international catalogues and art magazines and has collaborated on Art in Belgium since 1975 (Mercatorfonds, 2001). Lieven Van Den Abeele is the author of monographic studies on the Belgian artists Philippe Vandenberg (Imschoot, 1999), Luc Claus (Ludion, 2009) and Patrick Van Caeckenbergh (MSK, 2012-2022).
