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Ernest Gimson
A01=Annette Carruthers
A01=Barley Roscoe
A01=Mary Greensted
architect
art workers' guild
arts and crafts movement
Author_Annette Carruthers
Author_Barley Roscoe
Author_Mary Greensted
Category=AFT
Category=AKR
Category=AMB
cotswald school
designer
embroidery
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
furniture
metalwork
plaster
society for the protection of ancient buildings
william morris
Product details
- ISBN 9780300246261
- Dimensions: 216 x 267mm
- Publication Date: 08 Oct 2019
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Hardback
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An authoritative and insightful study, surveying the life and work of “the greatest of the English artist-craftsmen”
This study of the renowned designer-maker Ernest Gimson (1864–1919) combines biography with analysis of his work as an architect and designer of furniture, metalwork, plaster decoration, embroidery, and more. It also examines Gimson’s significance within the Arts and Crafts Movement, tracing the full arc of his creative career, ideas, and legacy. Gimson worked in London in the 1880s, joining the circle around William Morris at the Art Workers’ Guild and the Society for the Protection of Ancient Buildings. He later moved to the Cotswolds, where he opened workshops and established a reputation for distinctive style and superb quality. Gimson’s work influences designers today and speaks directly to ongoing debates about the role of craft in the modern world; this book will be the standard reference for years to come.
This study of the renowned designer-maker Ernest Gimson (1864–1919) combines biography with analysis of his work as an architect and designer of furniture, metalwork, plaster decoration, embroidery, and more. It also examines Gimson’s significance within the Arts and Crafts Movement, tracing the full arc of his creative career, ideas, and legacy. Gimson worked in London in the 1880s, joining the circle around William Morris at the Art Workers’ Guild and the Society for the Protection of Ancient Buildings. He later moved to the Cotswolds, where he opened workshops and established a reputation for distinctive style and superb quality. Gimson’s work influences designers today and speaks directly to ongoing debates about the role of craft in the modern world; this book will be the standard reference for years to come.
Annette Carruthers worked as a curator with the Gimson collections at Leicestershire and Cheltenham Museums. Mary Greensted has been curator and deputy director at Cheltenham Museum. Barley Roscoe is a freelance curator and writer and formerly director of the Holburne Museum and Crafts Study Centre in Bath.
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