Erotic Ambiguities

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A01=Helen McDonald
ambiguity in female representation
Anorexia Nervosa
Anti-pornography Feminism
Anti-pornography Feminists
Antipornography Feminists
art
Australian Visual Culture
Author_Helen McDonald
body
Capitalist Marketing
Category=AGHN
Category=JBCC
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Category=JBSF11
Category=JHB
Category=NH
cindy
contemporary feminist critique
Della Grace
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_non-fiction
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Erotic Ambiguities
female
Female Nude
feminist
Feminist Art
Feminist Art Criticism
Feminist Art Practices
gender performativity theory
George Stubbs
Ideal Female Body
Interactive Cd Rom
intersectional body politics
Jennifer Miller
karen
Marginalised Sexual Identities
Melbourne Fashion Festival
Negative Hyperreality
nude
performance
Performance Body Art
postcolonial art analysis
practice
Pro-sex Feminism
queer visual representation
sherman
Test Tube Baby
Titian's Painting
Titian’s Painting
Unbound Feet
visual culture studies
Young Men

Product details

  • ISBN 9780415170987
  • Weight: 650g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Dec 2000
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Art is always ambiguous. When it involves the female body it can also be erotic. Erotic Ambiguities is a study of how contemporary women artists have reconceptualised the figure of the female nude. Helen McDonald shows how, over the past thirty years, artists have employed the idea of ambiguity to dismantle the exclusive, classical ideal enshrined in the figure of the nude, and how they have broadened the scope of the ideal to include differences of race, ethnicity, sexuality and disability as well as gender.
McDonald discusses the work of a wide range of women artists, including Barbara Kruger, Judy Chicago, Mary Duffy, Zoe Leonard, Tracey Moffatt, Pat Brassington and Sally Smart. She traces the shift in feminist art practices from the early challenge to partriarchal representations of the female nude to contemporary, 'postfeminist' practices, influenced by theories of performativity, queer theory and postcoloniality. McDonald argues that feminist efforts to develop a more positive representation of the female body need to be reconsidered, in the face of the resistant ambiguities and hybrid complexities of visual art in the late 1990s.

Helen McDonald is an Honorary Fellow in the School of Fine Arts, Classical Studies and Archaeology at the University of Melbourne.

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