Escape, Escapism, Escapology

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A01=John Limon
African American
Arundhati Roy
Author_John Limon
Category=DSA
Category=DSK
Category=DSM
Category=FXP
Colson Whitehead
Dave Eggers
David Grossman
desire
Emma Donoghue
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fiction
frontier
George Saunders
globalization
Jesmyn Ward
Jewish
Judaism
Junot Diaz
Lauren Groff
messianic
Michael Chabon
narrative
novel
patterns
prose
themes
trends
utopian
William H. Gass

Product details

  • ISBN 9781501391101
  • Weight: 343g
  • Dimensions: 140 x 214mm
  • Publication Date: 29 Sep 2022
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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Escape, Escapism, Escapology: American Novels of the Early Twenty-First Century identifies and explores what has emerged as perhaps the central theme of 21st-century American fiction: the desire to escapefrom the commodified present, from directionless history, from moral deathat a time of inescapable globalization. The driving question is how to find an alternative to the world within the world, at a time when utopian and messianic ideals have lost their power to compel belief. John Limon traces the American answer to that question in the writings of some of the most important authors of the last two decadesChabon, Diaz, Foer, Eggers, Donoghue, Groff, Ward, Saunders, and Whitehead, among othersand finds that it always involves the faux utopian freedom and pseudo-messianic salvation of childhood.

When contemporary novelists feature actual historical escape, pervasively from slavery or Nazism, it appears in their novels as escape envy or escape nostalgiaas if globalization like slavery or Nazism could be escaped in a direction, from this place to another. Thus the closing of the world frontier inspires a mirror messianism and utopianism that in US novels can only be rendered as a performative, momentary, chiasmic relationship between precocious kids and their ludic guardians.

John Limon is John Hawley Roberts Professor of English at Williams College, USA. He is the author of The Place of Fiction in the Time of Science (1990), Writing After War (1994), Stand-Up Comedy in Theory (2000), and Death’s Following (2012).

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