Essays on Opera, 1750-1800
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Act III
Benjamin Perl
Bruce Alan Brown
Cantabile Singing
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censorship in performing arts
cosa
Cosi Fan Tutte
Cost Fan Tutte
Da Ponte's Libretto
Da Ponte’s Libretto
Dale E. Monson
Daniel Heartz
David J. Buch
Der Schauspieldirektor
Der Stein Der Weisen
Dexter Edge
Dorothea Link
Dove Sono
dramaturgical analysis
Edmund J. Goehring
Eighteenth Century Opera
eighteenth-century theatre
Elizabeth C. Bartlet
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Estelle Joubert
Fan Tutte
French Operas
Giovanni Paisiello
Gli Orazi
historical music aesthetics
Il Mio Ben
James Webster
John A. Rice
John Platoff
Julian Rushton
La Buona Figliuola
La Cifra
Late Eighteenth Century Vienna
Ma Il
Margaret R. Butler
Marita P. McClymonds
Martha Feldman
Mary Hunter
musicology research
Obbligato Recitative
Opera Buffa
opera scholarship 1750-1800
Opera Seria
Patricia Lewy Gidwitz
Paul Corneilson
Pierpaolo Polzonetti
Ponte Operas
rara
Raymond Monelle
San Samuele
Scott L. Balthazar
Sergio Durante
seria
Stefano Castelvecchi
Thomas Bauman
una
Una Cosa Rara
vocal performance practice
Voi Che Sapete
Wye J. Allanbrook
Product details
- ISBN 9780754629047
- Weight: 1230g
- Dimensions: 169 x 244mm
- Publication Date: 23 Dec 2010
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.
John A. Rice, Independent Scholar.
