Essential Film History

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A01=Charles Ramirez Berg
A01=John Bruns
American studio era
Author_Charles Ramirez Berg
Author_John Bruns
Category=ATFA
classical Hollywood
digital filmmaking
early cinema
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film appreciation
film history
film studies
filmmaking
forthcoming
French cinema
German silent cinema
international cinema
narrative structure
new Hollywood
new wave cinema
sound in film
syntax of film
visuality of film

Product details

  • ISBN 9781477333167
  • Weight: 454g
  • Dimensions: 216 x 279mm
  • Publication Date: 01 Sep 2026
  • Publisher: University of Texas Press
  • Publication City/Country: US
  • Product Form: Paperback
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A guide to the fundamentals of understanding film history, filmmaking, and film appreciation.

Film is not just a medium; it is also a language—and a global one at that. Essential Film History describes how this language emerged and how it has matured over the course of more than 125 years. Beginning with the experiments of the late nineteenth century, and tracking the development of cinematic storytelling, commercial distribution, and audience reception into the era of digital recording, Charles Ramírez Berg and John Bruns offer a comprehensive course in both the history and artistry of film.

Essential Film History breaks cinematic language into three core components: image, sound, and narrative. Between the 1890s and 1940s, this audiovisual language both consolidated and spread, becoming comprehensible worldwide. Since then, filmmakers have adapted and extended the language of cinema to suit an ever-growing range of aesthetic and narrative projects, from documentaries and full-length animation to avant-garde and made-for-TV movies. Covering major figures, studios, and events as well as key technological and sociopolitical developments, Essential Film History is an indispensable guide to the evolution of cinematic style.

Charles Ramírez Berg is the Joe M. Dealey, Sr. Professor in Media Studies at the University of Texas at Austin. He is the author of The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films and Latino Images in Film: Stereotypes, Subversion, and Resistance.

John Bruns is Professor of Film Studies and a faculty affiliate of the Women's and Gender Studies program at the College of Charleston. He is the author of Loopholes: Reading Comically and Hitchcock's People, Places, and Things.

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