Ethico-Phenomenology of Digital Art Practices

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A01=Giuseppe Torre
Aesthetic Discourse
Analogue Synth
art ethics
Art Practice
Author_Giuseppe Torre
Binary Floating Point Numbers
CAS
Category=AFKP
Category=ATD
Category=UBW
Category=UGN
Dense
digital aesthetics
Digital Art
Digital Art Practices
Digital Instrument
Digital Polis
Discrete Snapshots
Discrete Time Events
Epistemological Optimism
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethico-phenomenological practice
FLOSS
Games Addicts
Individuation Journey
Individuation Process
Live Coding Performance
media philosophy
Midi Guitar
Net Artists
open source art
performance theory
Performative Relation
phenomenological analysis of digital media
Played Back
Sonic Output
Superimposes
technology and identity
VGA
Vice Versa

Product details

  • ISBN 9780367406295
  • Weight: 310g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Digital art practitioners work under the constant threat of a medium – the digital – that objectifies the self and depersonalises artistic identities. If digital technology is a pharmakon in that it can be either cure or poison, with regard to digital art practices the digital may have in fact worked as a placebo that has allowed us to push back the date in which the crisis between digital and art will be given serious thought.

This book is hence concerned with an analysis of such a relationship and proposes their rethinking in terms of an ethico-phenomenological practice informed by an in-depth understanding of the digital medium.

Giuseppe Torre engages with underground cultures such as Free and Libre Open Source Software (FLOSS) and its ties with art discourse. The discussion is informed by various philosophical discourses and media theories, with a focus on how such ideas connect back to the existing literature in performance studies.

Replete with examples of artwork and practices, this book will be of great interest to students and scholars of theatre and performance studies, art and technology.

Giuseppe Torre is a Lecturer in Digital Arts at the University of Limerick, Ireland.

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