Ethics and Aesthetics of Vulnerability in Contemporary British Fiction

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A01=Jean-Michel Ganteau
Aesthetics
affect theory
Ahmed's Terms
Alterity
alterity in literature
American Psychiatric Association
Anne Enright
Author_Jean-Michel Ganteau
Bereaved Son
British Literature
Brother's Keeper
Category=DSBH
Category=DSK
Contemporary
Contemporary British Fiction
contemporary British novels analysis
Contemporary Elegies
Contemporary Societies
Elegy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethics
ethics of care
Genre
Ghost
Ghost Story
Good Life
Henry Perowne
Holbein's Dead Christ
Ian McEwan
Jeanette Winterson
Jon McGregor
literary representations of vulnerability
Literature
Melancholic Mourning
Modern Elegy
N. Allan
N. Royle
Pat Barker
Perowne
Peter Ackroyd
precariousness narratives
Research
Ruinous Lovers
Silver Wind
Testimony
Text's Vulnerability
Time's Chariot
Traditional Elegy
Trans-generational Trauma
Translation Mine
Trauma
trauma studies
Vice Versa
Vulnerability
Vulnerable Form
Young Man

Product details

  • ISBN 9781138903722
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 May 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book visits vulnerability in contemporary British fiction, considering vulnerability in its relation to poetics, politics, ethics, and trauma. Vulnerability and risk have become central issues in contemporary culture, and artistic productions have increasingly made it their responsibility to evoke various types of vulnerabilities, from individual fragilities to economic and political forms of precariousness and dispossession. Informed by trauma studies and the ethics of literature, this book addresses such issues by focusing on the literary evocations of vulnerability and analyzing various aspects of vulnerable form as represented and performed in British narratives, from contemporary classics by Peter Ackroyd, Pat Barker, Anne Enright, Ian McEwan, and Jeanette Winterson, to less canonical texts by Nina Allan, Jon McGregor, and N. Royle. Chapters on romance, elegy, the ghost story, and the state-of-the-nation novel draw on a variety of theoretical approaches from the fields of trauma studies, affect theory, the ethics of alterity, the ethics of care, and the ethics of vulnerability, among others. Showcasing how the contemporary novel is the privileged site of the expression and performance of vulnerability and vulnerable form, the volume broaches a poetics of vulnerability based on categories such as testimony, loss, unknowing, temporal disarray, and performance. On top of providing a book-length evocation of contemporary fictions of vulnerability and vulnerable form, this volume contributes significantly to considerations of the importance of Trauma Studies to Contemporary Literature.

Jean-Michel Ganteau is Professor of English Literature at Paul Valéry University, Montpellier III, France

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