Ethics of Aesthetics in Japanese Cinema and Literature

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A01=Nina Cornyetz
Author_Nina Cornyetz
Category=ATF
Category=DS
Category=DSB
Category=JMAF
Category=NHTB
Category=QDTN
Chikamatsu Monzaemon
colors
country
double
Double Suicide
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fascist
Fascist Aesthetics
Fascist Ideology
film studies Japan
Film Woman
Follow
forbidden
Forbidden Colors
gender theory
imperial ideology
Japanese Aesthetics
Japanese Colony
Japanese fascism
Kawabata Yasunari
kyoto
Kyoto School
Mishima Yukio
Nobel Prize Acceptance Speech
Persona
political aesthetics in modern Japan
Postwar
psychoanalytic criticism
Psychoanalytic Ethics
Rape Scene
reactionary
Reactionary Modernism
school
Shimada Masahiko
Shinoda Masahiro
snow
Snow Country
suicide
Sun And Steel
Vice Versa
Wartime
wartime literature
Young Man

Product details

  • ISBN 9780415770873
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Nov 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This is an innovative, scholarly and original study of the ethics of modern Japanese aesthetics from the 1930s, through the Second World War and into the post-war period. Nina Cornyetz embarks on new and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, for instance works by Kawabata Yasunari, Mishima Yukio, Abe Kôbô and Shinoda Masahiro, all renowned for their texts' aesthetic and philosophic brilliance.

Cornyetz uniquely opens up the field in a fresh and controversial way by showing how these authors and filmmakers' concepts of beauty and relation to others were, in fact, deeply impacted by political and social factors. Probing questions are asked such as:

  • How did Japanese fascism and imperialism ideologically, politically and aesthetically impact on these literary/cinematic giants?
  • How did the emperor as the 'nodal point' for Japanese national identity affect their ethics?
  • What were the repercussions of the virtual collapse of the Marxist movement in the 1960s?
  • What are the similarities and differences between pre-war, wartime and post-war ideals of beauty and those of fascist aesthetics in general?

This ground-breaking work is truly interdisciplinary and will appeal to students and scholars of Japanese literature, film, gender, culture, history and even psychoanalytic theory.

Nina Cornyetz is Associate Professor of Interdisciplinary Studies at New York University, USA.

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