Ethics of Cinematic Experience

Regular price €55.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Orna Raviv
anthropocentrism
Author_Orna Raviv
Blade Runner
Broader Ethical Perspective
Cary Grant
Category=JBCT
Category=QDTQ
Cavell
Cavell's Discussion
Cavell’s Discussion
cinema
cinematic close-up analysis
Cinematic Ethics
Cinematic Experience
Cinematic Point
continential philosophy
Deleuze
Drawn Back
Dziga Vertov
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethical engagement in film studies
face
film philosophy
film spectatorship
film studies
film theory
Film Viewer
Girl Friday
Human Suffering
Impersonal Point
Levinas
Levinas alterity
Levinas's Ethics
Levinas's Notion
Levinas’s Ethics
Levinas’s Notion
mainstream cinema
Merleau-Ponty
Merleau-Ponty ethics
Moral Perfectionism
Perspectivalism
phenomenology cinema
phenonenology
Philadelphia Story
philosophy
Posthuman Ethics
psychology
Remarriage Comedy
representation politics
Screen Tests
Sf Film
spectatorship theory
Suicide Preparations
Tzi Ma
Viewer's Visual Field
Viewer’s Visual Field
Young Man

Product details

  • ISBN 9781032176772
  • Weight: 244g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Ethics of Cinematic Experience: Screens of Alterity deals with the relationship between cinema and ethics from a philosophical perspective, finding an intrinsic connection between film spectatorship and the possibility of being open to different modes of alterity. The book’s main thesis is that openness to otherness is already found in the basic structures of cinematic experience.

Through a close examination of the ethical relevance of the philosophy of Maurice Merleau-Ponty, Stanley Cavell, Emmanuel Levinas and Gilles Deleuze to cinema studies, Ethics of Cinematic Experience: Screens of Alterity pursues the question of how film can open the viewer to what is not her, and so bring her to encounter otherness in a way that is unique to cinematic experience. The book sees ethics as not just the subject, content or story of a film but part of its aesthetic structure. Accompanied by readings of films mainly from mainstream cinema, each chapter focuses on a different aspect of the encounter with alterity through cinema. The book gives particular attention to how theoretical discussion of the cinematic close-up can lead to ethical insights into the status of both the human and the non-human in film, and thus lead to an understanding of the relationships the viewer makes with them.

The book is a helpful resource for students and scholars interested in the relationship between philosophy, film and ethics, and is appropriate for students of philosophy and media and cultural studies.

Orna Raviv is a filmmaker and a film theorist. She is an assistant teaching professor at the Unit for History and Philosophy of Art, Design and Technology, Shenkar College, and a teaching fellow at the Philosophy Department of Haifa University.

More from this author