Ethnic Minority Children in Post-Socialist Chinese Cinema

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A01=Zhenhui Yan
allegorical functions
Author_Zhenhui Yan
Bird's Nest
Bird’s Nest
Category=GTM
Category=JB
Category=JBCT
CCP's Leadership
CCP’s Leadership
childhood identity
Children's Identity Construction
Children’s Identity Construction
Chinese film studies
Chinese Mainland Cinema
Cinematic Landscapes
Dai People
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnic children cinematic narratives
ethnic minority children
ethnic minority filmmakers
Han Children
Han-minority relations
Long Shot
Miao People
minority representation
Mongol Children
Mongol Man
Mongolian Grasslands
Panchen Lama
Pema Tseden
Ping Pong Ball
post-socialist Chinese cinema
post-socialist society
Rural Guizhou
rural modernity
Stone Heap
Sun Wukong
Tian Zhuangzhuang
Transitional Space
Uyghur Children
Wu Yonggang
Yellow Earth
Young Man

Product details

  • ISBN 9780367347871
  • Weight: 371g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the surprisingly large number of films about ethnic minority children in China, considering key questions such as Why are ethnic minority children becoming more intriguing to Chinese filmmakers? What are their roles in the films literally and allegorically? And how are they placed on screen geographically and why? It argues that ethnic minority children’s appeal lies in their special relationship with childhood, ethnicity, nationalism, and rurality; and that for dominant Han urban adults and elite ethnic minorities they serve as "the other" for these people’s construction of themselves as self-conscious modern subjects during China’s rapid social-political transformations. This book explores the diversity of ways in which both Han and ethnic minority filmmakers take up the special features of ethnic minority children to facilitate their expression of certain ideas or ideals, as well as the roles of these films in their directing careers.

Zhenhui Yan completed her thesis in the Department of Humanities and Languages at the University of New South Wales, Australia.

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