Ethnomusicology: A Contemporary Reader, Volume II

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Aaron Corn
Abigail Wood
Allan Marett
Amanda Villepastour
Anu
Applied Ethnomusicology
Araujo
Benjamin D. Koen
Bernd Brabec de Mori
Beverley Diamond
Big Song
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Catherine Grant
Catherine Ingram
Central African Republic
Cheryl L'Hirondelle
Chuen-Fung Wong
collaborative archiving methods
contemporary ethnomusicology
contemporary ethnomusicology research directions
Cross-gender Performance
Dance Central
Dense
ecological musicology
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Ethiopian Diaspora
Ethiopian Orthodox Church
Ethnic Places
Ethnomusicological Work
ethnomusicology debates
ethnomusicology essays
ethnomusicology practice
ethnomusicology reader
Face To Face
Fed Back
Frode Fjellheim
Henry Stobart
indigenous knowledge systems
Intangible Cultural Heritage
issues in ethnomusicology
John Carlos Perea
John Vallier
Kam Music
Kay Kaufman Shelemay
Kiri Miller
Kirsty Gillespie
Lihir Gold
Lihir Islands
Martin Clayton
Medical Ethnomusicology
Melodic Strings
Michael B. Silvers
Moana Maniapoto
Muni Bird
music and cultural rights
musical embodiment research
Noel Lobley
Northeastern Backlands
Per Niila Stalka
Phnom Penh
Plays Back
Psychological Flexibility
readings in ethnomusicology
Rebecca Dirksen
Samuel Araujo
social participation in music
survey of ethnomusicology
Taqralik Partridge
Ulla Pirttijarvi

Product details

  • ISBN 9781138217881
  • Weight: 650g
  • Dimensions: 178 x 254mm
  • Publication Date: 25 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists’ engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005.

The collection of essays is organized into six sections:

  • Property and Rights
  • Applied Practice
  • Knowledge and Agency
  • Community and Social Space
  • Embodiment and Cognition
  • Curating Sound

Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.

Jennifer C. Post is Lecturer at University of Arizona School of Music and Honorary Senior Research Fellow at University of Western Australia.