Ethology of Religion and Art

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4th Century BCE
A01=Bryan Rennie
Agency Detection Device
agency theory
Art Behavior
art religion evolutionary perspective
Author_Bryan Rennie
Boyd Points
Category=AB
Category=QRA
cognitive science of art
DAI
Early 4th Century BCE
Ellen Dissanayake
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethological Approach
Eurocentric characterization
evolutionary psychology
Follow
Higher Order Sensitivities
human behavior
human behavioural evolution
humanities
Hyperactive Agency Detection Device
Intentional Object
Intuitive Ontologies
Mid-7th Century BCE
Mid-first Millennium BCE
Natural Beauty
Nikolaus Ludwig Von Zinzendorf
Ostensive Definition
Paleolithic Art
Paleolithic Cave Painting
Priest Hilkiah
religious anthropology
Religious Behavior
religious traditions
sacredness studies
Sexual Selection Hypothesis
Unseen Agency
Vice Versa

Product details

  • ISBN 9780367354671
  • Weight: 557g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Feb 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing from sources including the ethology of art and the cognitive science of religion this book proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention.

The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art and religion and of religion as a human behavior. This in turn is used to suggest how art can contribute to the development and maintenance of religions.

The innovative combination of art, science, and religion in this book makes it a vital resource for scholars of Religion and the Arts, Aesthetics, Religious Studies, Religion and Science and Religious Anthropology.

Bryan Rennie is a Professor of Religion and Philosophy in the Religion Faculty at Westminster College, USA.

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