Etienne Decroux

Regular price €47.99
A01=Thomas Leabhart
actor training exercises
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Author_Thomas Leabhart
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Category1=Non-Fiction
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Category=ATD
Charles Dullin
COP=United Kingdom
Copeau's School
Copeau’s School
Corporeal Mime
Decroux's Work
Decroux’s Work
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embodied performance practice
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Etienne Decroux
Fireman
French Literary Theorist Roland Barthes
Jacques Copeau
Jean Gaspard Deburau
Jean Louis Barrault
Language_English
Lateral Plane
Mime
Mobile Statuary
Modern Mime
Morosco Theatre
movement analysis methods
Movement Score
Nineteenth Century Pantomime
nonverbal communication theory
Objective Mime
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performance studies research
physical theatre techniques
Price_€20 to €50
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Rectangular Wooden Box
Secondary Text
softlaunch
theatre pedagogy
Thomas Leabhart
Triple Designs
Twentieth Century Theatre History
Vibratory Quality
Wool Carding Machine
Words on mime
Young Man

Product details

  • ISBN 9781138598812
  • Weight: 180g
  • Dimensions: 129 x 198mm
  • Publication Date: 20 Dec 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Etienne Decroux is the primary creator of Corporeal Mime and one of modern theatre’s most charismatic innovators, known for his ground-breaking use of the body as the principal means of expression on stage. This second edition combines:

    • an overview of Decroux’s life and work
    • an analysis of Decroux’s Words on Mime, the first book to be written about this art
    • a series of practical exercises offering an introduction to Corporeal Mime technique.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Thomas Leabhart, who studied with Decroux for four years and served as his translator and teaching assistant, is Professor of Theatre and Resident Artist at Pomona College, California. He edits Mime Journal, performs and teaches internationally, and was for a decade a member of the Artistic Staff of Eugenio Barba’s ISTA (International School of Theatre Anthropology).