Etruscans in the Modern Imagination

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A01=Sam Solecki
affinity cultural and national
ancient civilizations
assimilation
Author_Sam Solecki
Category=DSBB
Category=NHC
Category=NK
classical
conquest
dance
decline
disappearance
dissemination
empires
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
federalism
genocide
grand tour
historiography
ideological
indigenous
influence
inventing the past
linguistic genocide
Mediterranean
multicultural
multivocal
mythologies of unlucky conquered nations
peoples unlucky in history
pleasure
religion
superstition
syncretic
taste and antiquity
the disappeared
tomb paintings
tombs
uses of the past
vanished civilizations

Product details

  • ISBN 9780228014638
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Oct 2022
  • Publisher: McGill-Queen's University Press
  • Publication City/Country: CA
  • Product Form: Hardback
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The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases.

No other lost culture disappeared as completely and then returned to the same extent as the Etruscans. Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity. Though the Greeks and Romans tarred them as superstitious and decadent, D.H. Lawrence praised their way of life as offering an alternative to modernity. In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists. The resurrection of this vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts. From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation.

The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity. The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations.

Sam Solecki is professor emeritus at the University of Toronto and the author of A Truffaut Notebook.

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