Eugene O'Neill and the Reinvention of Theatre Aesthetics

Regular price €44.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Thierry Dubost
Age Group_Uncategorized
Age Group_Uncategorized
Author_Thierry Dubost
automatic-update
Category1=Non-Fiction
Category=AN
Category=ATD
Category=DSG
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781476677286
  • Weight: 500g
  • Dimensions: 178 x 254mm
  • Publication Date: 12 Jul 2019
  • Publisher: McFarland & Co Inc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
During a conversation with Ward Morehouse in 1930, Eugene O’Neill stated, “I’m interested in trying to do better things,” and his plays are a testimony to his continued search for new dramatic strategies. Analyzing a range of O’Neill’s plays, this book explores the Nobel Prize winner’s attempts at creating a new Modern playparticularly through his staging of alienation, depictions of kissing and fighting bodies, unusual uses of acoustics, and the creation of tragedy through the chorus, silence or immobility.
Thierry Dubost is a professor at the University of Caen in France.

More from this author