European Dance since 1989

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Ausdrucktanz
Berlin Wall
body politics in choreography
Category=AFKP
Category=ATD
Category=ATQ
Category=ATQT
Classical Ballet
Communitas
comparative analysis European dance
Contemporary Dance
Contemporary Dance Scene
Contemporary Dance Techniques
Contemporary Society
Creative Commons Attribution NonCommercial ShareAlike
cultural policy research
Czech Dance
dance historiography
Emil Hrvatin
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
EU Council Presidency
Free Dance
institutional transformation arts
Iwo Dimcheva
Judson Dance Theater
Ksenija Hribar
Mette Ingvartsen
Modern Dance
Multi Art Dans
Native Europe
Nie Jest
Nie Ma
Nie Tylko
Nigdy Nie
performance studies
Plastic Movement
Polish Dance
Post-communist European Countries
post-Soviet arts
Postmodern Dance
Przede Wszystkim
Rst Century
Stary Browar
Tanztheater
Tym Samym
XX Wieku

Product details

  • ISBN 9780415832137
  • Weight: 566g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 May 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This edited collection charts the development of contemporary dance in Central and Eastern Europe since the literal and symbolic revolutions of 1989.

Central Europe and the former Soviet Bloc countries were a major presence in dance – particularly theatrical dance – throughout the twentieth century. With the fragmentation of traditional structures in the final decade of the century came a range of aesthetic and ideological responses from dance practitioners. These ranged from attempts to reform classical ballet to struggles for autonomy from the state, and the nature of each was influenced by a set of contexts and circumstances particular to each country.

Each contribution covers the strategies of a different country’s dance practitioners, using a similar structure in order to invite comparisons. In general, they address:

  • Historical context, showing the roots of contemporary dance forms
  • The socio-political climates that influenced emerging companies and forms
  • The relationships between aesthetic exploration and institutional patronage
  • The practitioners who were central to the development of dance in each country
  • A diagnosis of the current state of the art and how it has come about

The book’s main through-line is the concept of community, and how all of the different approaches that it documents have in some way engaged with this notion, consciously or otherwise. This can take the form of oppositional relationships, institutional formations, or literally, in identifiable communities of dancers and choreographers.