European Landscapes of Rock-Art

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age
anthropological fieldwork
bego
bronze
Bronze Age
Bronze Age Rock Art
Category=NHD
Category=NKA
Category=NKD
Central European Alps
Central Scandinavia
Christopher Chippindale
Copper Age
Criado Boado
Cueva Del
cultural heritage interpretation
cup
Cup Marks
De Marinis
early
Early Bronze Age
Elk Images
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eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
interpretive approaches to rock art
landscape archaeology
Late Mesolithic
Levantine Art
Lower Mountain Slopes
Marked Rocks
marks
Millennium Bc
mont
prehistoric
prehistoric iconography
Ritual Depth
Ritual Landscape
Rock Art Sites
Rock Art Studies
Rock Painting Site
sites
spatial analysis methods
Stone Age Rock Art
studies
Trondheim Fjord
visual semiotics
West Germany

Product details

  • ISBN 9780415257343
  • Weight: 600g
  • Dimensions: 174 x 246mm
  • Publication Date: 15 Nov 2001
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Rock-art - the ancient images which still scatter the rocky landscapes of Europe - is a singular kind of archaeological evidence. Fixed in place, it does not move about as artefacts as trade objects do. Enigmatic in its meaning, it uniquely offers a direct record of how prehistoric Europeans saw and envisioned their own worlds.
European Landscapes of Rock-Art provides a number of case studies, covering arange of European locations including Ireland, Italy, Scandinavia, Scotland and Spain, which collectively address the chronology and geography of rock-art as well as providing an essential series of methodologies for future debate. Each author provides a synthesis that focuses on landscape as an essential part of rock-art construction. From the paintings and carved images of prehistoric Scandinavia to Second World War grafitti on the German Reichstag, this volume looks beyond the art to the society that made it.
The papers in this volume also challenge the traditional views of how rock-art is recorded. Throughout, there is an emphasis on informal and informed methodologies. The authors skilfully discuss subjectivity and its relationship with landscape since personal experience, from prehistoric times to the present day, plays an essential role in the interpretation of art itself. The emphasis is on location, on the intentionality of the artist, and on the needs of the audience.
This exciting volume is a crucial addition to rock-art literature and landscape archaeology. It will provide new material for a lively and greatly debated subject and as such will be essential for academics, non-academics and commentators of rock art in general.

George Nash is a part-time Lecturer in European prehistory at the Centre of the Historic Environment, University of Bristol, and Senior Archaeologist with Border Archaeology. Christopher Chippindale is a Curator in the Cambridge University Museum of Archaeology and Anthropology.