European Television Fiction Renaissance

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audience reception studies
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comparative European TV production
digital content distribution
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European's premium television fiction
German Television Market
HBO Original Series
High End Drama
Les Revenants
media industries research
NBC Universal
Nordic Noir
Pay Tv
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Quality Tv
Romanzo Criminale
Sky Model
streaming platforms Europe
Studio Canal
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television drama analysis
television drama production
transnational media circulation
Tv Critic
Tv Drama
Tv Fiction
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UK Broadcaster
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Product details

  • ISBN 9780367345402
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories.

Combining a media-production approach with a textual and audience analysis, the volume offers a complex, stratified, systemic view of ongoing aesthetic, sociocultural and industrial developments in contemporary European TV. With contributions from leading experts in the field, the book first offers an overview of the industrial, policy and cultural context for the renaissance of European television drama over the past decade, based on original comparative research. This research is then supported by case study chapters from the key contexts within which quality European television is being produced, offering a complex and complete picture of the industry’s strengths and limitations, its traditions and trends, its constraints and future perspectives.

A European Television Fiction Renaissance is a must-read book for TV scholars working across Europe and beyond in the areas of media studies, international communications and television studies, media industries studies, production studies, European studies, and media policy studies as well as for those with an interest in television drama, Netflix, globalisation, pay TV and on demand.

Luca Barra is Associate Professor of Television and Digital Media at Università di Bologna, Italy.

Massimo Scaglioni is Full Professor of Media Economics and History at Università Cattolica del Sacro Cuore, Milan.