European Theatre 1960-1990 (Routledge Revivals)

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A01=Ralph Yarrow
acting methodologies
Author_Ralph Yarrow
Avignon Festival
Category=ATD
Centres Dramatiques
claus
Claus Peymann
cross-national theatre evolution
dario
Dario Fo
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
franca
Franca Rame
Gogh
Independent Groups
Independent Theatre Groups
intercultural performance
Le Radeau De La Meduse
Maisons De La Culture
national
odin
Odin Teatret
Palais De Chaillot
performance studies
peymann
Piccolo Teatro
political theatre movements
populaire
rame
Richard III
soleil
state arts policy
Stockholm's City Theatre
Swiss Theatre
teatret
theatre censorship
Theatre Du Soleil
Theatre National De Chaillot
Troupes Permanentes
Vice Versa
Vincent Van Gogh
West German Theatre
West Germany
Young Man
Zurich Schauspielhaus

Product details

  • ISBN 9781138831841
  • Weight: 630g
  • Dimensions: 138 x 216mm
  • Publication Date: 24 Oct 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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European theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.

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